![]() ![]() ![]() Simple, predictable pricing.Īn EditReady license is perpetual, works on Mac, and includes a year of updates and support. Use the overlay tool to burn-in timecode, reel names, shoot dates, media names, and other metadata. Layout custom formatted text, including metadata values from the source media. Import images with alpha channels to apply complex bugs or watermarks. Use the overlay editor to position graphical elements for compositing on top of your video. Play back, trim, add LUTsĪnd there's more: screen your camera's original media files before you transcode them, apply a LUT to preview your Log media with or without a specific predetermined look, check your previewed clip in ScopeBox via our integrated ScopeLink connection, and set In and Out points to avoid transcoding unwanted parts of your clips. EditReady's unique color pipeline make this a breeze, translating everything to what you need it to be, without compromises. When a shoot mixes camera formats, you'll end up with a variety of color spaces, Log types, HDR formats, and LUTs. The end result? A high quality proxy that's easy to edit with, with all the flexibility a non-RAW format carries. EditReady uses each vendor's specific RAW decoder, using the vendor preferred Log format to reflect the original shooting intent. Use metadata to automatically rename files, or burn data into overlays. Review and edit metadataĮditReady lets you view and edit all of the metadata associated with your file, including location data, camera settings, and diagnostic information. Every codec gets transcoded as its makers intended it to. No unofficial frameworks, and zero hacks. EditReady's unique color pipeline simplifies this process, translating everything to what it should be.Using each manufacturers' original SDK wherever possible to ensure the best quality transcodes. When mixing camera formats, one will inevitably end up with different color spaces, Log types, HDR formats, and LUTs. It uses each vendor's specific RAW decoder and the vendor-preferred Log format to ensure high-quality proxies that are easy to edit and maintain the flexibility of non-RAW formats.ĮditReady also comes with Color Awareness, its ability to mix and match different types of footage without loss of quality. When dealing with RAW, EditReady will do all the heavy lifting. Plus, users can view and edit all the metadata associated with files, which is helpful for automatically renaming files or burning data into overlays. How’s the transcode quality?ĮditReady uses each manufacturer's original SDK as part of its True Codec Support, so it guarantees the best quality transcodes-no unofficial frameworks or hacks. This brings a fresh new approach to the transcoding landscape. Versatility and Speed: With EditReady Server, you'll experience the same adaptability, compatibility, color management, and speed that is available in the original EditReady.Command line tools are at your disposal, simplifying the way you work. Headless Operation: No need to wrestle with setting up workflows through a GUI.Seamless Integration: EditReady Server easily fits into your existing workflows and pipelines, smoothing out the post-production process.This translates into a few key wins for its users: What’s the difference between EditReady and EditReady Server?ĮditReady Server is a streamlined version of EditReady that presents the solution in an accessible command-line interface.ĮditReady Server is a transcoder application that supports all major RAW codecs, complete with color management and automation. This means getting footage from the camera to into a NLE in record time. * Note that this integration is for EditReady Server and currently only supports transcoding on Apple macOS.ĮditReady is not only incredibly fast and precise but also optimized for both old and new Macs, taking full advantage of Apple silicon and GPU acceleration. ![]() By simply connecting a camera to an on-premise storage watched by the ISG, files will be transcoded and indexed in iconik. Modern, Blazing Fast, Ready for the Future. You can even use metadata to generate filenames for your transcoded files. Manually add location data if your camera didn’t store it, or set a reel name for all of your files. Modern cameras store GPS data, lens settings, diagnostic data, and more. Iconik users can now easily transcode footage from an ISG for web previews and edit proxies. EditReady provides a rich metadata viewer and editor. Photo by Zachary Vessels | Pexels So what does this integration mean for iconik users? ![]()
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